EPA-linked consultant undercuts agency's PFAS concerns

An industry toxicologist promoting artificial turf fields has repeatedly cited her work for EPA while downplaying the risks of “forever chemicals” used to produce plastic grass blades, making contentious claims often at odds with the agency’s own findings.

Laura C. Green has often referenced her role as an EPA special government employee while advocating for artificial turf fields in New England.

In public meetings and written emails, Green has also sought to undercut concerns about the health risks of per- and polyfluoroalkyl substances known as PFAS. That includes comments made at a September meeting on Nantucket, where Green asserted, “There is no reliable evidence that PFAS harms human health.”

EPA has in fact recently targeted some PFAS for regulation due to a mounting body of evidence of negative health effects. Just last month, the agency singled out a compound called PFOA as a “likely carcinogen,” in addition to noting the chemical’s links to lower immune response and other health risks (E&E News PM, Nov. 16).

When E&E News asked about Green’s statements, EPA disavowed them.

“EPA considers harmful PFAS to be an urgent public health threat facing communities across the United States,” a spokesperson said. “The agency does not support or agree with any of the statements attributed to Ms. Green that you cited in your questions.”

EPA also said Green “has not ever” worked on PFAS issues for the agency. Rather, she has assisted with peer reviews conducted by the agency’s Scientific Advisory Committee on Chemicals and the Federal Insecticide, Fungicide and Rodenticide Act Scientific Advisory Panel. Green “was not conducting work” for those panels when she made her comments about PFAS to New England communities this fall, the agency said.

Just days after its response to E&E News, EPA ethics officials emailed Green to “clarify” how she references her work for the agency in public settings.

The term “special government employee” refers to a temporary service in which workers are recruited for their expertise to serve as consultants or on advisory committees, but cannot work more than 130 days of the year for the government.

In the email, a copy of which was obtained by E&E News, EPA Office of Chemical Safety and Pollution Prevention Deputy Ethics Official Hayley Hughes told Green that if she mentioned her EPA work at public meetings, she had to clarify she was only speaking in her personal capacity and not representing the agency.

Hughes also wrote that Green “may not” use her work for EPA “to bolster your personal presentation or specific points contained in any remarks, or imply that the EPA or the federal government endorses your personal views.”

Green did not respond to questions from E&E News about her role with EPA or the agency’s correspondence with her about it. However, she said she stood by her comments that there is no reliable evidence that PFAS harms human health. That statement, she said, is “not inconsistent” with EPA’s finding that PFOA is a likely human carcinogen. Green said the agency’s declaration only “means that there is reliable evidence in rats and mice,” though such studies are routinely used to consider chemicals’ health impacts.

She also said that if there was evidence that PFAS harmed humans, specifically, EPA would have already regulated them in drinking water.

“Why do you think they never came up with drinking water standards?” she said.

Green herself has pushed back on proposed standards for multiple PFAS at the state level. In comments to Massachusetts and Wisconsin regulators, she and colleague Edmund Crouch countered findings related to PFOA and PFOS specifically and argued against the standards being recommended.

Green, a board-certified toxicologist, holds a bachelor’s degree in chemistry and a doctorate from the Massachusetts Institute of Technology, where her focus was nutrition, according to her resume. That document also shows how extensively she has worked with industry, dating back decades.

Meanwhile, Green has often made controversial statements about the health of workers at DuPont and 3M who were exposed to PFAS.

Surveys of workers at PFAS manufacturing plants owned by DuPont and 3M exposed to PFOA have shown increased incidents of liver damage and testicular cancer for decades. But Green told attendees of the September School Committee meeting on Nantucket that workers who manufacture PFAS for the two companies “seem to be fine.”

“There doesn’t seem to be any evidence that workers who are up to their eyeballs in this stuff are actually harmed by it,” Green said.

She has repeated those assertions in writing.

In emails to Nantucket resident Ayesha Khan, whose firefighter husband blames his testicular cancer on PFAS exposure at work, Green compared levels in firefighters’ blood to those found in workers at PFAS manufacturing plants. She again repeated that workers “who were literally up to their elbows in these materials … do not appear to be at excess risk of cancer.”

Green emailed Khan several more times, blaming her husband’s diagnosis on other chemicals firefighters are exposed to, and sending her studies about testicular cancer survival rates.

“It was shocking,” Khan said.

In another email to Emma Green-Beach, director and biologist of the Martha’s Vineyard Shellfish Group, who is also now on the Oak Bluffs, Mass., select board, Green cited the now-infamous environmental crisis in West Virginia, where PFOA contamination led to the largest PFAS human health study to date. Popularized in the movie “Dark Waters,” the contamination was discovered after a local farmer drew attention to his tumorous, dead cows.

In her email, Green theorized without evidence that the cows in question were likely stricken, not by PFAS exposure, but by molybdenum-based catalysts used in the manufacturing of Teflon products.

Turf wars

Despite making demonstrably false statements about PFAS, Green continues to consult on issues related to multimillion-dollar artificial turf fields at multiple towns in Massachusetts, New Hampshire and Vermont.

Public Employees for Environmental Responsibility Executive Director Tim Whitehouse, whose group has been tracking Green’s work, said her repeated assertion that she works for EPA is alarming because of the misinformation she spreads about the safety of PFAS.

“She has been at this for a while, mixing her position as a special government employee with her private work, and that is concerning,” he said.

Public officials in multiple towns that have hired Green did not respond to requests for comment. Nantucket Public Schools officials had agreed to speak with E&E News about the turf fields yesterday morning but canceled the virtual meeting at the last minute without giving a reason. E&E News later learned that the officials found out about EPA’s emails to Green shortly before the scheduled meeting. The officials did not respond to subsequent emails posing questions.

But Nantucket project architect Richard Webb has told the School Committee that he is “aware of the PFAS concerns and considerations” and that the products would be tested for PFAS regulated in Massachusetts drinking water, including PFOA.

In his presentation, Webb said using synthetic turf for the $17.5 million project is necessary because, in the turf’s 12- to 15-year life span, it would require less maintenance than grass fields and would help increase participation in school sports.

Notably, the chemicals used in artificial turf fields are not the same compounds EPA is currently considering regulating.

PFAS are a family of chemicals containing thousands of compounds, many of which are not yet well researched or understood. The most studied chemicals are PFOA and PFOS, which have been linked to kidney and liver problems, among other issues. Those compounds are both toxic to humans at very low levels and stay in human bodies for an extended period of time, making them particularly concerning to public health experts.

As more research accumulates about other compounds, some have been found to have similar health effects as PFOA and PFOS, prompting advocates to call on EPA to regulate all PFAS as a class, rather than individually.

PFAS are used to manufacture turf fields, specifically by preventing plastic blades of grass from sticking to equipment when they are shaped. Green has said publicly that the specific compounds PVDF and PVDF-HFP are used in this process but told E&E News it was only the latter.

As with many PFAS, health effects from PVDF and PVDF-HFP are not widely documented. In public presentations and conversations with E&E News, Green has said PVDF-HFP is an “inert polymer” and does not rub off on athletes, break down in the environment or break down into other types of PFAS.

But one October 2020 study examining fluoropolymers, including PVDF, stated that while those compounds are often deemed “polymers of low concern,” many questions remain about their environmental impacts and health implications. More recent research has shown PVDF has the potential to break down in the presence of prolonged exposure to ultraviolet rays — which could be a concern for turf fields exposed to the elements. It is unclear whether the same is true of PVDF-HFP.

Kristen Mello, a trained chemist and community activist from Westfield, Mass., who has elevated PFAS levels in her blood, said the studies show that PVDF does break down in sunlight.

“[Green] is saying that the PFAS they use is insoluble and can’t come off in water, and the question we are left with is, what does it come off in?” she said. “Once it is exposed to sunlight, the backbone of the compound is broken down into pieces that can more readily be soluble in water.”

Asked about this research, Green stood by her previous comments and told E&E News that PVDF-HFP is a stable compound that does not dissolve in water. Green also suggested that because the chemical is used in surgical sutures and medical devices that have been approved by the Food and Drug Administration, it is safe to use on synthetic fields. When E&E News reporters pointed out that sutures on a body would not be subjected to the same conditions as an athletic field, Green replied, “What you are saying makes no sense to me.”

“That’s just not a thing, my friend,” she said.

Jamie DeWitt, a toxicologist with East Carolina University who studies PFAS and polymers, said concerns about how wear and tear might affect the chemicals’ ability to escape artificial turf fields and contaminate athletes or nearby water supplies are legitimate.

“If there is residual PFAS on the turf grass product, and then across time there is sunlight, and heat from the sunlight, and rain and microbes and physical activity, it seems perfectly reasonable and logical,” she said, “that those residual PFAS will slowly disincorporate from the turf and reincorporate either in the water, in the soil or on the bodies of the people using the turf.”

‘There is nothing to see here’

On Nantucket and Martha’s Vineyard, much of the opposition to artificial turf fields stems from concerns about possible contamination of their sole-source aquifers. The islands already have preexisting PFAS contamination, and Nantucket is part of a class-action lawsuit against firefighting foam manufacturers.

Ewell Hopkins, chair of the Oak Bluffs Planning Board on Martha’s Vineyard currently reviewing permit applications for the fields, worries Green’s experience with EPA helps community members supporting the fields ignore groundwater fears.

“Bringing in a smooth-talking, seemingly credentialed person saying, ‘There is nothing to see here,’ the people who want to feel good about supporting the field have something to stand on,” he said.

Hopkins added that his board’s review process is ongoing and far from over. During a meeting in Portsmouth, N.H., Green alluded to $30,000 for testing for “the synthetic turf being used in Martha’s Vineyard.” At the meeting, Green said the results were not of concern to the Martha’s Vineyard Commission, which has already approved the project, but did not mention that Oak Bluffs regulators continue to scrutinize those results.

The comments concerned Hopkins, who has since written to Portsmouth’s mayor over the matter. He is worried that Green is trying to capitalize on Martha’s Vineyard’s reputation in order to convince other communities not to scrutinize turf fields.

“Everyone knows Martha’s Vineyard as the playground of presidents,” he said, adding, “The last thing I want is for people in other communities with less resources to think that if it was good enough for the Vineyard, who are we to question it for our students.”

Nantucket Fire Department Deputy Chief Sean Mitchell shared similar fears. Two years ago, he learned that protective uniforms meant to keep firefighters safe from burns and toxic chemicals actually contain PFAS. For the past 18 months, he has written to turnout gear manufacturers inquiring about safety concerns only to encounter similar misinformation (Greenwire, Feb. 17).

This winter, he sent an email to Nantucket school officials criticizing them for using taxpayer money to hire Green “to gaslight” the community.

“We have come to expect this from industry-funded scientists,” Mitchell wrote. “What we don’t expect is that our own school system would be the reason she’s here in our community, spreading her misinformation.”

Reporter Kevin Bogardus contributed.

5 environmental victories from 2021 that offer hope

It’s easy to feel despondent about the state of the global environment in 2021. More than a million species are at risk of extinction, levels of carbon dioxide in the atmosphere continue to increase, and the planet was rocked by a series of climate change-fueled extreme weather events. Meanwhile, the world continues to grapple with a deadly pandemic that seems like it will never end.

But, as the year draws to a close, there are reasons to feel cautiously optimistic about areas in which the environment scored victories in 2021.

It’s important to note that even these promising developments involve pledges that may yet be watered down, misleading, or altogether unfulfilled. Still, there are signs of success on this long, difficult road. Here are five reasons to be hopeful.

1. Pushback on fossil fuels

Delayed by a year as a result of COVID-19, November’s COP26—the United Nations Climate Change Conference, held in Glasgow—welcomed the world’s second-largest fossil-fuel emitter, the United States, back to the negotiating table after four years of inaction on climate change. By the summit’s end, the U.S. and China had made a surprise joint declaration to work together on meeting the goals of the Paris Agreement.

While the level of ambition at Glasgow faced plenty of criticism, particularly in terms of protecting developing countries from climate impacts and supporting their transitions to clean energy systems, the goal of keeping warming to 2.7°F (1.5°C) is arguably more achievable now. Notably, countries agreed to “phase down” their coal use—which fell short of an initial draft to “phase out” coal—and more than a hundred countries agreed to cut their methane emissions 30 percent by 2030.

Away from Glasgow, the Biden administration canceled the controversial Keystone XL pipeline and suspended oil drilling leases in the Arctic National Wildlife Refuge, though it is also opening up millions of acres to oil and gas exploration. The administration set a goal of generating 30 gigawatts of offshore wind by 2030 and announced its intention to reduce solar energy costs 60 percent over the next decade; the two declarations are part of a plan to have the U.S. powered by a clean grid by 2035. In addition, President Joe Biden in August mandated that by 2030, half of all new vehicles sold in the U.S. be electric.

Globally, renewable energy use in 2021 is expected to increase by 8 percent, the fastest year-on-year-growth since the 1970s, while in the U.S., a new report found that it had nearly quadrupled over the last decade.

In the Netherlands, a court ordered Royal Dutch Shell to reduce its carbon emissions by 45 percent relative to 2019 levels by 2030, a result one lawyer described as a “turning point in history.”

2. Progress on plastic

The last 12 months saw a raft of legislation to reduce growing plastic pollution. In Washington State, Governor Jay Inslee signed a law that bans polystyrene products, such as foam coolers and packing peanuts; requires that customers must request single-use utensils, straws, cup lids, and condiments; and mandates minimum post-consumer recycled content in a number of plastic bottles and jugs, including those for personal care products and household cleaning.

California passed landmark bills that, among other things, prohibit manufacturers from placing the “chasing arrows” recycling symbol or the word recyclable on items that aren’t actually recyclable; forbid mixed plastic waste exports to other countries being counted as “recycled,” just so that local governments can claim to comply with state laws; require products labeled as compostable to break down in real-life conditions; and ban the use of extremely long-lasting PFAs, known as forever chemicals, in children’s products.

Such actions may be reflected federally following the introduction of the Break Free from Plastic Pollution Act; among other things, the proposal by two U.S. lawmakers would ban some single-use plastic products and pause permits of new plastics manufacturing plants.

In November, U.S. Secretary of State Anthony Blinken announced that the U.S. would back a global treaty to tackle plastic pollution; the Trump administration opposed it. U.S. support is critical, given that the nation is the world’s largest contributor to plastic waste, as revealed in a congressionally mandated report released in December. The treaty now seems certain to move forward, and the United Nations is scheduled to convene in Nairobi in February to begin formal negotiations.

In December, the National Academies of Sciences urged the U.S., which generates more plastic waste than all the European Union states combined, to develop a strategy to reduce it, including a national cap on virgin plastic production.

3. Protection of forests

By far the biggest news in forest conservation was the pledge at the UN Climate Conference in Glasgow to end deforestation by 2030; the commitment includes a pledge to provide $12 billion in funding to “help unleash the potential of forests and sustainable land use.” However, the promise was met with widespread skepticism, not least because deforestation rates actually increased following a 2014 agreement with the same goal.

However, 2021 did see a number of on-the-ground victories. In October, President Felix Tshisekedi of the Democratic Republic of Congo called for an audit of its vast forest concessions and the suspension of all “questionable contracts” until the audit is done. A few weeks later, the government retreated from a plan to lift a 19-year-old moratorium on the granting of new logging licenses in the Congo Basin Forest. “We don’t want any more contracts with partners who came to savagely cut our forests; we will retire these types of contracts,” said Environment Minister Eve Bazaiba. Environmental groups remain wary, and Greenpeace is calling for the DRC moratorium to be made permanent.

The government of the Indonesian province of West Papua revoked permits for 12 palm oil contracts covering more than 660,000 acres (an area twice the size of Los Angeles), three-fifths of which remains forested. Environmental and Indigenous rights groups are urging the government to go further and recognize the rights of Native peoples in those areas to manage the forests themselves. Three of the 12 contract holders continue to fight the government’s decision in court.

And Ecuador’s highest court has ruled that plans to mine for copper and gold in a protected cloud forest would harm its biodiversity and violate the rights of nature, which are enshrined in the Ecuadorian constitution. The ruling means that mining concessions, and environmental and water permits in the forest, must be cancelled.

4. Restoration of habitats

The Biden administration spent part of its first year restoring habitat protections that had been rolled back by its predecessor. Perhaps the most prominent was the re-establishment of full protection for the Bears Ears and Grand Staircase-Escalante monuments in southern Utah, as well as the Northeast Canyons and Seamounts National Monument off New England.

The administration restored protection to more than 3 million acres of old-growth forest in the Pacific Northwest that is critical habitat for the northern spotted owl. It also reversed an effort to weaken the Migratory Bird Treaty that the Trump White House set in motion in its last few days in office. Meanwhile, a court overturned a Trump administration decision to strip protections from 10 million acres, mostly in Nevada and Idaho, to allow mining in critical habitat for greater sage-grouse.

In May, the Biden administration unveiled its America the Beautiful initiative, which among other things established the first-ever national conservation goal: conserving 30 percent of U.S. lands and waters by 2030. It reflects a United Nations aim to protect the same percentage of land and ocean, an objective to which more than 100 nations committed in September.

In November, Colombia pledged to protect 30 percent of its land by 2022. And Panama took major steps toward the same goal by tripling the size of its Cordillera de Coiba Marine Protected Area. Also in November, Portugal established the largest fully protected marine reserve in Europe.

5. Support for wildlife

Populations of some of the world’s most iconic species are showing some improvement as a result of protective measures. In July, China announced that it no longer considers the giant panda, the symbol of the World Wildlife Fund, to be endangered, upgrading its status to vulnerable. Just over 1,800 pandas remain in the wild, an improvement over the 1,100 thought to live in the wild as recently as 2000. Meanwhile, China announced the creation of the Giant Panda National Park, part of a system of new parks that will cover an area nearly the size of the United Kingdom.  The parks are designed to protect native species such as the Northeast China tiger, Siberian leopard, and the Hainan black-crested gibbon.

Humpback whales, whose haunting songs helped build support for the “Save the Whales” campaign that ushered in the modern environmental movement, are increasing in number in many parts of their range, including off Australia (where the government is considering removing them from the country’s threatened list) and in their South Atlantic feeding grounds. That said, the number of calves in the Northwest Atlantic population has declined over the last 15 years.

Several species of tuna are no longer heading toward extinction, according to the International Union for Conservation of Nature. Two bluefin species, a yellowfin, and an albacore are no longer classified as critically endangered or have moved off the leading international list of endangered species entirely, the result of decades of efforts to limit the impacts of commercial fishing.

Three thousand years after the species was eliminated everywhere except its eponymous island, seven Tasmanian devils were born in a reserve in mainland Australia. Scientists hope that if the marsupials one day again become established on the mainland, they could play a vital role in controlling invasive species.

And in the U.K., a government report concluded that lobsters, crabs, and octopuses are sentient beings that feel pain, and as a result should be granted protection under the country’s draft Animal Welfare (Sentience) Bill.  

Microplastics cause damage to human cells, study shows

Microplastics cause damage to human cells, study shows

Harm included cell death and occurred at levels of plastic eaten by people via their food

Plastic waste in Rize, Turkey.

Microplastics cause damage to human cells in the laboratory at the levels known to be eaten by people via their food, a study has found.

The harm included cell death and allergic reactions and the research is the first to show this happens at levels relevant to human exposure. However, the health impact to the human body is uncertain because it is not known how long microplastics remain in the body before being excreted.

Microplastics pollution has contaminated the entire planet, from the summit of Mount Everest to the deepest oceans. People were already known to consume the tiny particles via food and water as well as breathing them in.

The research analysed 17 previous studies which looked at the toxicological impacts of microplastics on human cell lines. The scientists compared the level of microplastics at which damage was caused to the cells with the levels consumed by people through contaminated drinking water, seafood and table salt.

They found specific types of harm – cell death, allergic response, and damage to cell walls – were caused by the levels of microplastics that people ingest.

“Harmful effects on cells are in many cases the initiating event for health effects,” said Evangelos Danopoulos, of Hull York Medical School, UK, and who led the research published in the Journal of Hazardous Materials. “We should be concerned. Right now, there isn’t really a way to protect ourselves.”

Future research could make it possible to identify the most contaminated foods and avoid them, he said, but the ultimate solution was to stop the loss of plastic waste: “Once the plastic is in the environment, we can’t really get it out.”

Research on the health impact of microplastics is ramping up quickly, Danopoulos said: “It is exploding and for good reason. We are exposed to these particles every day: we’re eating them, we’re inhaling them. And we don’t really know how they react with our bodies once they are in.”

The research also showed irregularly shaped microplastics caused more cell death than spherical ones. This is important for future studies as many microplastics bought for use in laboratory experiments are spherical, and therefore may not be representative of the particles humans ingest.

“This work helps inform where research should be looking to find real-world effects,” said microplastics researcher Steve Allen. “It was interesting that shape was so important to toxicity, as it confirms what many plastic pollution researchers believed would be happening – that pristine spheres used in lab experiments may not be showing the real-world effects.”

Danopoulos said the next step for researchers was to look at studies of microplastic harm in laboratory animals – experiments on human subjects would not be ethical. In March, a study showed tiny plastic particles in the lungs of pregnant rats pass rapidly into the hearts, brains and other organs of their foetuses.

In December, microplastics were revealed in the placentas of unborn babies, which the researchers said was “a matter of great concern”. In October, scientists showed that babies fed formula milk in plastic bottles were swallowing millions of particles a day.

‘Disastrous’ plastic use in farming threatens food safety – UN

‘Disastrous’ plastic use in farming threatens food safety – UN

Food and Agriculture Organization says most plastics are burned, buried or lost after use

Farmers cover a field with plastic films in Yuli county, Xinjiang Uygur Autonomous Region, northern China.

The “disastrous” way in which plastic is used in farming across the world is threatening food safety and potentially human health, according to a report from the UN’s Food and Agriculture Organization.

It says soils contain more microplastic pollution than the oceans and that there is “irrefutable” evidence of the need for better management of the millions of tonnes of plastics used in the food and farming system each year.

The report recognises the benefits of plastic in producing and protecting food, from irrigation and silage bags to fishing gear and tree guards. But the FAO said the use of plastics had become pervasive and that most were currently single-use and were buried, burned or lost after use. It also warned of a growing demand for agricultural plastics.

There is increasing concern about the microplastics formed as larger plastics are broken down, the report said. Microplastics are consumed by people and wildlife and some contain toxic additives and can also carry pathogens. Some marine animals are harmed by eating plastics but little is known about the impact on land animals or people.

“The report serves as a loud call for decisive action to curb the disastrous use of plastics across the agricultural sectors,” said Maria Helena Semedo, deputy director general at the FAO.

“Soils are one of the main receptors of agricultural plastics and are known to contain larger quantities of microplastics than oceans,” she said. “Microplastics can accumulate in food chains, threatening food security, food safety and potentially human health.”

Global soils are the source of all life on land but the FAO warned in December 2020 that their future looked “bleak” without action to halt degradation. Microplastic pollution is also a global problem, pervading the planet from the summit of Mount Everest to the deepest ocean trenches.

The FAO report, which was reviewed by external experts, estimates 12.5m tonnes of plastic products were used in plant and animal production in 2019, and a further 37.3m in food packaging.

Plastic is a versatile material and cheap and easy to make into products, the report says. These include greenhouse and mulching films as well as polymer-coated fertiliser pellets, which release nutrients more slowly and efficiently.

“However, despite the many benefits, agricultural plastics also pose a serious risk of pollution and harm to human and ecosystem health when they are damaged, degraded or discarded in the environment,” the report says.

Data on plastic use is limited, it says, but Asia was estimated to be the largest user, accounting for about half of global usage. Furthermore, the global demand for major products such as greenhouse, mulching and silage films is expected to rise by 50% by 2030.

Only a small fraction of agricultural plastics are collected and recycled. The FAO said: “The urgency for coordinated and decisive action cannot be understated.”

Prof Jonathan Leake, at the University of Sheffield in the UK and a panel member of the UK Sustainable Soils Alliance, said: “Plastic pollution of agricultural soils is a pervasive, persistent problem that threatens soil health throughout much of the world.”

He said the impact of plastic was poorly understood, although adverse effects had been seen on earthworms, which played a crucial role in keeping soils and crops healthy.

“We are currently adding large amounts of these unnatural materials into agricultural soils without understanding their long-term effects,” he said. “In the UK the problems are especially serious because of our applications of large amounts of plastic-contaminated sewage sludges and composts. We need to remove the plastics [from these] before they are added to land, as it is impossible to remove them afterwards.”

As a solution, the FAO report cites “the 6R model” – refuse, redesign, reduce, reuse, recycle, and recover. This means adopting farming practices that avoid plastic use, substituting plastic products with natural or biodegradable alternatives, promoting reusable plastic products and improving plastic waste management.

Styrofoam trash adds to antibiotic resistance crisis

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The styrofoam container that holds your takeout cheeseburger may contribute to the population’s growing resistance to antibiotics.

Discarded polystyrene broken down into microplastics provides a cozy home not only for microbes and chemical contaminants but also for the free-floating genetic materials that deliver the gift of resistance to bacteria, researchers say.

A paper in the Journal of Hazardous Materials describes how the ultraviolet aging of microplastics in the environment make them apt platforms for antibiotic-resistant genes (ARGs).

These genes are armored by bacterial chromosomes, phages, and plasmids, all biological vectors that can spread antibiotic resistance to people, lowering their ability to fight infections.

The study also showed chemicals leaching from the plastic as it ages increase the susceptibility of vectors to horizontal gene transfer, through which resistance spreads.

“We were surprised to discover that microplastic aging enhances horizontal ARG,” says Pedro Alvarez, professor of civil and environmental engineering and director of the Rice University-based Nanotechnology Enabled Water Treatment Center.

“Enhanced dissemination of antibiotic resistance is an overlooked potential impact of microplastics pollution.”

The researchers found that microplastics (100 nanometers to five micrometers in diameter) aged by the ultraviolet part of sunlight have high surface areas that trap microbes. As the plastics degrade, they also leach depolymerization chemicals that breach the microbes’ membranes, giving ARGs an opportunity to invade.

The researchers note that microplastic surfaces may serve as aggregation sites for susceptible bacteria, accelerating gene transfer by bringing the bacteria into contact with each other and with released chemicals. That synergy could enrich environmental conditions favorable to antibiotic resistance even in the absence of antibiotics, according to the study.

Additional coauthors are from Zhejiang University, Nanjing Tech University, the University of Houston, and Rice.

The Natural Science Foundation of Jiangsu Province, National Natural Science Foundation of China, and the National Science Foundation funded the work.

Source: Rice University

Hiding in plain sight: How plastics inflame the climate crisis

Plastic is ubiquitous, filling stores, overtopping landfills and littering shorelines

It’s even within us, since residual plastic particles now lace air, water and food. While the hazards posed by microplastics are still emerging, an obvious peril has been hiding in plain sight: Plastic derives from fossil fuels, and worsens climate threats throughout its life cycle.

Look down a supermarket aisle lined with chip bags and soda bottles, and chances are you don’t visualize the flaring gas from a shale drilling operation. That might change if you read “The New Coal: Plastics and Climate Change.” 

This report, commissioned by the Vermont-based nonprofit Beyond Plastics, highlights how much greenhouse gas pollution plastics emit — in fossil fuel extraction, manufacturing, incineration, landfills and long-term degradation (potentially spanning centuries).

Source: Center for International Environmental Law

Climate-disrupting emissions from the plastic industry could surpass those from coal production in the U.S. by 2030, the report warns. Given emissions from more than 130 existing facilities, new plants under construction and other industry sources, U.S. plastics could generate the carbon dioxide equivalent of 143 mid-sized coal-fired plants. 

Yet policy makers and regulators have largely overlooked plastics. Maine’s 2020 Climate Action Plan, for example, holds virtually no mention of plastics, waste reduction, trash incineration or recycling. 

“Massive blind spots in policy at local, state and federal levels have allowed plastics to go under the radar,” said Jim Vallette, president of Maine-based Material Research L3C and author of the recent report. 

It’s time to bring plastic’s climate risks into clear view.

Just another form of fossil fuel

Greenhouse gas emissions from global plastics industries stand just behind those of the worst carbon-polluting nations: China, the U.S., India and Russia. At the recent U.N. Climate Summit in Glasgow, Scotland, multinational fossil fuel interests — which include petrochemical and plastics industries — had a stronger presence than any single country, with more than 500 industry representatives (whereas, the U.S. had 165 delegates).

Fossil fuel corporations are pivoting to plastic production to keep afloat, given the existential threat posed by dropping prices of renewable power and increasing electric vehicle adoption. Global plastics production is expected to double by 2040, becoming the biggest growth market for fossil fuel demand, the International Energy Agency (IEA) and BP both forecast

U.S. plastic production draws primarily on ethane gas from hydraulically fractured shale, an abundant resource since the fracking boom that began in 2008. For the eastern U.S., the federal Department of Energy in 2018 projected a 20-fold increase in ethane production over 2013 levels by 2025.

Toxic manufacturing clusters

Following pipeline transport from fracked wells, ethane gas is steam-heated in “ethane cracker” plants until it breaks into new molecules, forming the ethylene used in plastic manufacturing. This energy-intensive process generates high levels of carbon dioxide, and pollutants such as volatile organic compounds and benzene.

Credit: Beyond Plastics

Most plastic manufacturing occurs near the Gulf of Mexico in Texas and along Louisiana’s Cancer Alley,” a region notorious for its high and growing concentration of petrochemical plants.

The New Coal report found that more than 90 percent of climate pollution reported to the U.S. Environmental Protection Agency (EPA) by the plastics industry is released into 18 communities, noting that “people living within three miles of these petrochemical clusters earn 28 percent less than the average U.S. household and are 67 percent more likely to be people of color.”

The world’s largest ethane cracker plant, a joint venture between ExxonMobil and Saudi Arabia’s state-owned petroleum corporation, is nearing completion outside Portland, Texas. Sprawling across a 1,300-acre site, the plant lies less than two miles from area schools and in full view of a low-income housing complex. Communities have fought against these facilities but with limited success.

The myth of plastic recycling

Many of the ethane cracker plants being built will produce single-use plastics such as bottles, sachets and straws. Plastic items often bear recycling symbols, but few actually get recycled. The latest EPA data from 2018 indicates that fewer than 9 percent of plastics were recycled, while 17 percent were incinerated and 69 percent were landfilled. 

At least 115 towns in Maine currently lack any recycling option, with all household waste either landfilled or incinerated. Maine has three municipal waste incinerators operating: in Portland, Auburn and Orrington. Each was built decades ago, when plastic represented roughly 10 percent of the waste stream. That figure has nearly doubled, Vallette said. 

Higher plastic content adds to the carbon dioxide incinerators emit, and can introduce chemicals that are potent warming agents. Vallette has calculated that fluoropolymers, highly persistent PFAS resins used in wiring insulation, may have up to 10,000 times more potential for global warming than carbon dioxide.

Petrochemical corporations have misled consumers for decades by promoting plastic recycling while knowing it was not feasible. The industry also ran repeated ad campaigns to convince consumers that the problem was not with plastic itself, but with irresponsible litterbugs. 

Changes in Maine, Oregon

Now consumers have caught on. States like Maine and Oregon are taking a new regulatory approach that holds producers responsible for the packaging they produce

Maine’s pioneering Extended Producer Responsibility (EPR) law will drastically cut the plastic industry’s “greenwashing capability,” observed Sarah Nichols, Sustainable Maine program director for the Natural Resources Council of Maine. “We’re going to finally get the data we need to make meaningful change. It’s a whole new system.”

Similar programs in other countries have increased recycling rates and reduced waste generation — two measures that could markedly cut Maine’s greenhouse gas emissions. 

Maine has never met its statutory goal for recycling, set in 1989, of 50 percent. Today, only about 36 percent of waste is even collected for recycling (and the percentage getting recycled is likely much less). If the state met its original goal, Nichols estimates, the reduction in carbon pollution would be equivalent to taking roughly 166,000 passenger cars off the road.

Action at all levels — from local to global

“The inevitable, logical next step,” Vallette observed, “is to minimize plastic entering the waste stream.”

Purchasing less plastic, supporting retailers that offer bulk and refillable goods, instituting bans (like Maine’s recent one on single-use plastic bags) and holding producers to account through EPR laws should help. The state also needs to address plastics in the ongoing work of the Maine Climate Council, compensating for the notable absence of waste reduction targets in the 2020 Climate Action Plan.  

A federal EPR bill, the Break Free from Plastic Pollution Act, has garnered more than 100 co-sponsors already, but given the power of the plastics lobby, its passage is far from assured. Among Maine’s delegation, only U.S. Rep. Chellie Pingree has cosponsored the legislation to date.

Congress must also reassess billions of dollars in federal subsidies going annually to the fossil fuel industry. According to a 2020 report by the research nonprofit Carbon Tracker, the global plastics industry receives $12 billion in subsidies annually while paying just $2 billion in taxes and racking up an estimated $350 billion a year in unpaid “externalities” — including marine debris, air pollution and greenhouse gas emissions. 

“In the next few years,” the IEA wrote in a report earlier this year, “all governments need to eliminate fossil fuel subsidies.” 

Peter Dykstra: Environmental “solutions” too good to be true

I’ve long been fascinated with Thomas Midgley Jr. In the 1920’s and 1930’s, he was on his way to joining Thomas Edison and Benjamin Franklin as one of the GOATs of science and invention.


Midgley’s two giant discoveries changed lives – in a good way to start, but then in tragic ways. He discovered that tetraethyl lead (TEL) eliminated engine knock, a scourge of early motorists. And his development of chlorofluorocarbon chemicals (CFC’s) as refrigerants revolutionized air conditioning and food storage.

He was a science rock star, until we learned that the lead in TEL was a potent neurotoxin, impairing child brain development; and CFC’s were destroying Earth’s ozone layer.

Oops. He’s not alone—all too often we “solve” health and environment problems only to learn we’ve created bigger ones.

Miracle chemicals

Midgley never won a Nobel Prize, but Swiss chemist Paul Müller did in 1948. Müller resurrected a long-forgotten synthetic chemical compound, dichlorodiphenyltrichloroethane, or DDT.

DDT showed a remarkable talent for eliminating some agricultural pests as well as human tormentors like lice and mosquitos. DDT is credited with enabling U.S. and Allied troops to drive Japan out of tropical forests in the Pacific.

Scientist and author Rachel Carson exposed DDT’s other talent: Thinning birds’ eggshells, from tiny hummingbirds to raptors like the bald eagle. Bans in the U.S. (1972) and most other nations saved countless species from oblivion.

The peaceful atom

When nuclear weapons destroyed the Japan cities of Hiroshima and Nagasaki, ending World War II, there was little public dissent among Americans. The prevailing argument was that the hundreds of thousands of Japanese citizens killed by the blasts would seem like small potatoes compared to the death toll from a land invasion.

Into the 1950’s, the USSR strove to catch up to the U. S. Through the 1950s and the height of the Cold War, the “Peaceful Atom” became a civic goal. Atomic Energy Commission Chair Lewis L. Strauss saw a future with “electricity too cheap to meter”. The Eisenhower Administration proposed creating a deepwater port at Point Hope, Alaska, by nuking a crater in the Arctic Ocean.

In the 1960’s and 1970’s, fervor to build nuclear power plants grew, then began to wane as concerns about costs, nuclear waste disposal, and safety grew. If the 1979 near-disaster at Three Mile Island chilled Wall Street’s interest in commercial nuclear power, the calamitous 1986 Chernobyl meltdown nearly finished it off.

Bridge fuel?

Nuke power’s “carbon-free” status kept industry hopes alive for a bit. Then in the early 2000’s, with oil men George W. Bush and Dick Cheney at the helm, came a bold play by the oil and gas industry.

Hydraulic fracturing — fracking – was a relatively new take on extracting natural gas from previously unreachable places. Fracking promised a “bridge fuel” that could wean Americans off dirtier fossil fuels en route to a clean energy future.

So tempting was the bridge fuel pitch that the venerable Sierra Club took in an estimated $25 million from fracking giant Chesapeake Energy to help Sierra’s “Beyond Coal” campaign.

Meanwhile, cheap fracked gas undercut both coal and nuclear in energy markets just as multiple trolls peeked out from beneath the bridge: Fracking’s huge climate impacts from methane releases and its rampant use of water and toxic chemicals.

But wait…there’s more!

Years of clogged landfills and trash-choked creeks highlight the worldwide failure of plastics recycling.

Plastic packaging made life easier for all of us. And easier. And easier. According to the U.N. Environment Programme (UNEP), we now use 5 trillion single-use plastic bags per year. A tiny fraction are actually recycled. The rest find virtually indestructible homes in landfills or oceans. Or, with domestic plastics recycling waning, they’re shipped to the dwindling number of developing nations that will accept them.

We’re failing to learn a century’s worth of lessons from Midgley to DDT to nukes to fracking to plastics. Maybe the least we can do is make sure our solutions actually solve things.

Peter Dykstra is our weekend editor and columnist and can be reached at pdykstra@ehn.org or @pdykstra.

His views do not necessarily represent those of Environmental Health News, The Daily Climate, or publisher Environmental Health Sciences.

Banner photo credit: OCG Saving The Ocean/Unsplash

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David Attenborough’s unending mission to save our planet

WE MAKE LOTS of programs about natural history, but the basis of all life is plants.” Sir David Attenborough is at Kew Gardens on a cloudy, overcast August day waiting to deliver his final piece to camera for his latest natural history epic, The Green Planet. Planes roar overhead, constantly interrupting filming, and he keeps putting his jacket on during pauses. “We ignore them because they don’t seem to do much, but they can be very vicious things,” he says. “Plants throttle one another, you know—they can move very fast, have all sorts of strange techniques to make sure that they can disperse themselves over a whole continent, have many ways of meeting so they can fertilize one another and we never actually see it happening.” He smiles. “But now we can.”

Attenborough occupies a unique place in the world. Born on May 8, 1926, the year before television was invented, he is as close to a secular saint as we are likely to see, respected by scientists, entertainers, activists, politicians, and—hardest of all to please—kids and teenagers.

In 2018, he was voted the most popular person in the UK in a YouGov poll. So many Chinese viewers downloaded Blue Planet II “that it temporarily slowed down the country’s internet,” according to the Sunday Times. In 2019, Attenborough’s series Our Planet became Netflix’s most-watched original documentary, viewed by 33 million people in its first month, and the NME reported that his appearance on Glastonbury’s Pyramid stage where he thanked the crowd for accepting the festival’s no-single-use-plastic policy attracted the weekend’s third-largest crowd after Stormzy and The Killers.

On September 24, 2020, the 95-year-old broke the Guinness World Record for attracting 1 million followers just four hours and 44 minutes after he joined Instagram, beating the previous record holder, Jennifer Aniston, by over 30 minutes. His first post was a video clip where he set out his reasons for signing up. “The world is in trouble,” he explained, standing in front of a row of trees at dusk in a light blue shirt and emphasizing each point with a sorrowful shake of the head. “Continents are on fire, glaciers are melting, coral reefs are dying, fish are disappearing from our oceans. But we know what to do about it, and that’s why I’m tackling this new way, for me, of communication. Over the next few weeks, I’ll be explaining what the problems are and what we can do. Join me.”

The public response was so overwhelming that he left the platform 27 posts and just over a month later, after being inundated with messages. He’s always tried to reply to every communication he receives and can just about manage the 70 snail-mail letters he gets every day. Wherever he appears—wherever his team at the BBC’s Natural History Unit point their lenses—hundreds of millions of people will be watching. And right now, in the year of COP26, The Green Planet hopes to do for plants what Attenborough has done for oceans and animals … create understanding and encourage us to care.

The Green Planet, as is typical with all Attenborough/BBC Natural History Unit productions, contains a number of firsts—technical firsts, scientific firsts, and just a few never-before-seen firsts. But it also includes one great reprise. Attenborough is out in the field again for the first time since 2008’s Life in Cold Blood, traveling to rainforests and deserts and revisiting some places he passed through decades ago.

Two moments stand out. In the first, Attenborough is explaining the biology of the seven-hour flower—Brazil’s Passion Flower, Passiflora mucronate, which opens around 1 am and closes again sometime between 7 am and 10 am. The white, long-stalked flower is pollinated by bats which gorge on its nectar, allowing pollen to brush on the bats’ heads. As Attenborough watches one flower open, a bat appears and flutters up to feed. Attenborough laughs with delight.

Later, the series examines the creosote bush, one of the oldest living organisms on Earth at 12,000 years old. A desert dweller, it’s adapted to the harsh conditions by preserving energy and water through an incredibly slow rate of growth—1 millimeter a year. The team at the Natural History Unit used Attenborough’s long experience to illustrate something even the slowest time lapse camera would struggle to capture.

“Sir David went to this particular desert and to a particular creosote bush when he did Life on Earth in 1979,” Mike Gunton, the BBC’s Natural History Unit’s creative director, explains. “We’ve gone back to exactly the same creosote bush and had David stand in exactly the same place and matched the shot from 1979 with the shot in 2019. So, we’ve used his human lifetime to illustrate how slowly this plant has grown. We’ve used the fact that he has traveled the world throughout his life on a number of occasions. He bears witness to the changes, and I think it’s rather lovely, actually.”

For the rest of the footage the unit turned to what it does best—hacking brand new equipment and pushing it to extreme limits in a bid to film the previously unfilmable and bring the hidden aspects of the natural world to our screens.

Previous firsts include the unit using the high-speed Phantom camera, which can shoot 2,000 frames per second, in 2012 to prove that a chameleon’s tongue isn’t sticky but muscular, wrapping itself around its prey rather than adhering to it. Or hacking the RED Epic Monochrome, a black-and-white camera with a sensor that can film 300 frames per second (an iPhone films at 25 frames per second), removing the cut-pass filter, which filters out infrared light from camera chips as it can blur color images. This added sensitivity to a night shoot in the Gobi Desert, allowing the third-ever filming of the long-eared jerboa, a rodent less than ten centimeters long and entirely nocturnal.

Plants may seem less complicated—and less exciting—than a near-invisible nocturnal rodent in a vast Mongolian desert, but the unit’s approach intends to prove otherwise. The best place to show this is in a Devon farmhouse with a robot called Otto and a hunter-killer vine that’s slaughtering its prey.

“We have cameras that can take a demonstration of a parasitic plant throttling another plant to death. It’s dramatic stuff,” Attenborough says gleefully.

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Mike Gunton, creative director of the BBC Natural History Unit and a long-time collaborator with David Attenborough.Photograph: Benedict Redgrove

When filming a predator closing in for the kill, the BBC’s Natural History Unit always needs to improvise. For 2018’s Big Cats, director-producer Nick Easton adapted a buggy called the Mantis. He attached a Phantom Flex high-speed camera, originally designed as a lab tool for ballistics and particle imaging, to a remote-controlled trolley that could race alongside a cheetah at 100 kph, capturing every detail of a kill.

In early September 2021, the NHU is filming a predator just as vicious—the dodder—using technology that didn’t exist back in 2018. The dodder, Cuscuta europaea, a k a strangleweed or the devil’s hair, is a parasitic plant. When a dodder seed germinates, it doesn’t take root and it cannot photosynthesize—instead it “sniffs,” by methods still unclear, certain chemicals released by nearby plants and grows toward them. So sophisticated is the dodder’s “nose” that it can differentiate between species and grow toward favored hosts like the nettle. It then wraps itself around the host and sinks tendrils into the stem to steal nutrients and water. It even picks up signals that the host plant is about to flower and opens its own rival petals.

The unit is filming one such attack on a nettle. To do this, they’re using an invention known as the botanical time-lapse robot, nicknamed the Otto, which tackles a slightly different set of problems to the Mantis. The Otto is a huge robotic gantry with a multi-axis arm attached to a multi-axis hand holding a camera. The gantry, arms, and gears can move the camera at high speed to any point on the X, Y, or Z axis—an effect that resembles the fairground claw grabber in that it can move freely through three dimensions, but with high precision and the ability to rotate the camera through any axis as well.

“The problem with filming plants is that you need the result to be as fluid and smooth as when you film animals,” explains Gunton, the scruffy, bespectacled, and genial creative director of the unit. His route to the role is fairly typical for unit staff. He has a degree in zoology and a doctorate in behavioral anatomy; he experimented with a Super 8 camera and, while at Cambridge, sold short films about life at the university to Japanese businessmen; then ended up at the BBC after shooting a trip to Sri Lanka.

Since 1990, Gunton has helped oversee the unit grow to become the world’s largest producer of wildlife programs, with 450 staff currently working on over 25 productions for the BBC, Apple TV, the Discovery Channel, National Geographic, and NBC. Every new program presents new takes on the same challenge—when filming the natural world, it doesn’t follow a director’s orders. “We use time-lapse photography to shoot plants,” Gunton explains. “But plants don’t do what you expect them to do. So, you set up a shot, find the plant’s gone somewhere else, and everything is wasted. It’s a very expensive, very time-consuming, very slow process.”

Preparing for the unit’s forthcoming The Green Planet series, producer Paul Williams spent a lot of time on crowdfunding websites to solve problems like this—“when I’m starting a series it’s the best place to find lots of people tinkering with gadgets,” he says—and came across a dead link for a strange new time-lapse system developed by an ex-military engineer called Chris Field who lived in Colorado. Williams sent off a speculative email, Field sent back some footage, and a few weeks later Williams was in a suburban basement in Denver.

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Photograph: Benedict Redgrove

“He’d built this giant canopy, and in the square space in the middle his camera went anywhere he instructed it to,” Williams recalls gleefully. “He had carnivorous plants sitting in the middle, and he’d written sophisticated software which can move the camera around, rotate, roll, tilt, all of that at any speed at any time. We can get close-ups, we can get wide shots, we can get moving shots—it’s like five motion-controlled cameras all moving around the same subject. So, if we want to capture one plant grabbing another in an aggressive fighting scene, we can cover it from five different angles with just one camera.”

Right now, Field’s Otto robot is in a farmhouse in Devon belonging to Tim Shepherd, the quiet, precise enthusiast who pioneered time-lapse on The Private Life of Plants five years ago. He makes an odd pairing with Chris Field, whose arms are covered in tattoos of carnivorous plants, but the two of them set about helping Gunton achieve a brief that began as little more than a hunch.

“We wanted to cover plants in the Planet Earth series, so we went to Kew Gardens with a treatment full of things we wanted to capture plants doing like ‘fight,’ ‘think,’ ‘count,’ all animal-type words, and they were all in inverted commas,” Gunton says. “They said, great, but you can take all those inverted commas out. Plants do all of that, just in a different time frame. That’s been our mantra for The Green Planet—that the only difference between plants and animals is that they move on a different time frame.”

In order to capture this, they’re pushing technology from the simple to the surreal. Williams found a microscope in California that can film 10-micron-wide stomata—the minute openings in plant leaves and stems that allow carbon dioxide, oxygen, and water vapor to diffuse in and out of plant tissues, opening and closing to illustrate photosynthesis. And then there are drones.

The unit pioneered the use of drones in filming, deploying them in 2011’s Earthflight, a good year before the first movie, 2012’s Skyfall, used them to shoot James Bond in a motorbike chase across the rooftop of the Grand Bazaar in Istanbul. For some Green Planet shots, however, drones were prohibited due to local air traffic regulations, so Williams adapted a window-cleaning pole into a lightweight extendible boom called the Emu with the body of a broken drone at the end and a drone camera hanging underneath.

The real drone challenge for The Green Planet, says Gunton, was hacking people, not technology. “We used FPV drones, racing drones, which have a camera pointing forward,” he explains. “The pilots are like computer gamers and have these extraordinary assault courses where they have to fly crazy acrobatics. What we wanted them to do is use all that incredible dexterous skill to be able to operate those drones in the most incredibly micro-detailed way, but take the foot off the gas pedal.”

The result is footage that appears much the same as a sweeping drone shot in any big-budget movie or TV program, showing events that take hours flying by at apparently normal speed. For the real “red in tooth and claw” stuff, however, time-lapse cameras were the only option. Williams, Field, and the unit engineers set about hacking the Otto robot, eventually coming up with the Triffid, which uses the same technology Field created attached to an extendible ladder known as a slider. At full extension, the Triffid stands 2.1 meters high, but can quickly swoop down to ground level. Williams then spent more time on kickstarter sites and came across a 24-mm probe lens—slim enough to enter an insect-sized hole.

Combining the Triffid and the super-slimline probe lens resulted in an astonishing sequence in the first tropical forest episode, which follows leaf cutter ants carrying their excised cargo from the high branches of the rainforest, down along a crowded trail and into their underground lair, where they feed leaf fragments to a carefully tended fungus garden.

“It’s a three-and-a-half-minute sequence that meant programming the Triffid with 7,000 individual camera positions,” Williams says. “But then you always want to push further and smaller, so I found a scientist in Austria who has a scanning electron microscope system, and this allowed us to do motion-controlled shots around a single fungal spore. It’s essentially taking photogrammetry, a trick from the computer-gaming industry which takes 10,000 photographs of a rock and uses software to turn all those images into a 3D rock that’s photorealistic in every possible way. We’re able to create an interactive 3D video of a spore or leaf fragment, to get closer than ever before.”

Back in Shepherd’s basement, Mike Gunton has the first edited clip of the dodder’s attack—a long, thin tendril circling the nettle before sending out probes, which pierce the stem and suck the life out of the plant. Speeded up, there’s something grotesque about the tentacle of doom that crushes to death a plant known for its expertise in self-defense.

“I brought it to David,” Gunton says, with a beam like an excited kid. “This is really the key moment in any innovation we try. Sir David has seen everything. He’s been everywhere in the world many times over; he’s watched pretty much everything the natural world can do, and so what drives us is the desire to bring him something new. The greatest pleasure you get in this job is what happened when I brought him this film—it’s showing some footage to David Attenborough and having him say, ‘I’ve never seen that before, that’s pretty innovative.’”

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Director and time-lapse photographer Tim Shepherd in a “jungle” environment in his Devon studio. The week before, this was set up as a lily pond. The camera has been fitted with a slim probe lens that can move inside the foliage without disturbing itPhotograph: Benedict Redgrove

Attenborough’s belief in the importance of innovation, coupled with a delight in storytelling and respectful treatment of the world, is at the heart of the Natural History Unit. He was reluctant to give WIRED an interview that dwelled too much on his career to date. He wanted to avoid any living obituaries. He would talk about current projects and new technology, but he stressed he was still working and had no plans to retire. All the same, his route here helps understand why the unit is technically savvy, globally successful, scientifically relevant, and increasingly vocal about the dangers of environmental threats like climate change.

David Attenborough joined the BBC as a trainee in 1952, having only ever watched one television program. His love of the natural world and his fascination with innovation were both part of his upbringing, and he graduated in zoology and geology from Cambridge. He was conscripted into the navy and worked in publishing before applying to the BBC, where his early career included the high-octane round-table debate Animal, Vegetable, Mineral?, but, then aged 28, he decided he wanted to take advantage of the smaller 16-mm film cameras used on battlefields by war correspondents. “A desire to exploit the latest technical innovation has been the defining stimulus of almost every major television series I have ever made,” he explains. “The first was television’s ability to get acceptable images from 16-mm film. Until 1952 it had to use 35-mm, the size used by cinemas. The cameras were mounted on bicycle wheels and had valves inside.”

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Solar-powered cameras are prepared by crew for on-location installation, to capture footage without the presence of humans.Photograph: Benedict Redgrove

In 1954, he traveled to Sierra Leone with Jack Lester, London Zoo’s curator of reptiles, and cameraman Charles Lagus to film a new series, Zoo Quest, using a 16-mm camera—despite the BBC initially vetoing the lightweight camera as “beneath contempt.” Attenborough was the producer, director, sound recordist, and animal wrangler for the series, and only ended up appearing on screen after Lester was taken ill. Zoo Quest brought rare animals—including chimpanzees, pythons, and birds of paradise—into viewers’ living rooms and proved that wildlife programs could attract big audiences. The lighter camera allowed Lagus the mobility to capture shots of animals and places that television viewing audiences had never seen before and meant Attenborough was the first person to catch the elusive Komodo dragon on film.

His timing couldn’t have been better. The study of animals in the wild, or ethology, is arguably humanity’s oldest science—we have practiced it since nomadic people tried to predict the behavior of hunted animals. Until the publication of the first modern ethology textbook (The Study of Instinct, by Nikolaas Tinbergen) in 1951, however, field work wasn’t an important part of zoology. Tinbergen, a Dutch biologist, pioneered the study of animals outside the laboratory and moved to the UK after the Second World War to teach at Oxford, where his students included Richard Dawkins and zoologist and TV presenter Desmond Morris.

Although Attenborough wasn’t a student of Tinbergen, their work overlapped—indeed, Tinbergen’s approach inspired Attenborough and Attenborough invited Tinbergen to host shows for the unit. Many of Tinbergen’s students ended up working for the NHU helping create a new kind of wildlife television—ethology in action.

At the same time, Attenborough was continuing to innovate in television technology and program format. The only person to have won BAFTAs for programs produced in black and white, color, HD, and 3D, he’s also the reason tennis balls are bright yellow. As controller of BBC Two, Attenborough oversaw the first-ever color television broadcasts in Europe in 1967, including that summer’s coverage of the Wimbledon tournament.

“There were only three people with color sets, which were the size of a refrigerator,” he recalls with a slight smile. He is reserved and thoughtful in interviews, watching intently as questions are asked, then delivering precise answers with careful nods of the head. “The chief engineer at the BBC and I had two of them. We watched a program called Late Night Line-Up every night on BBC Two in color. We used to ring up one another in the morning and say what we thought. The chief engineer was a Scotsman, was very realistic, and all he was interested in was if the face looked natural. And after about three weeks, he thought the skin tone was finally fine, so he rang me up and said, ‘Tomorrow, we should go for a bowl of fruit.’”

At that time, tennis balls were either white or black—just as they had been since the 1800s. After watching a game, Attenborough suggested yellow tennis balls would be easier for viewers to follow in color; in 1972, the International Tennis Federation accepted his suggestion. His tenure at BBC Two also saw him commission a series of so-called “sledgehammer” projects—epic series of 10 or more parts that covered subjects in depth, starting with history and anthropology in shows like Civilisation and The Ascent of Man. With the NHU producer Christopher Parsons he started working up the first natural history sledgehammer, Life on Earth. A series of BBC promotions—first to director of programs, followed by an offer to become director general—took him away from program-making, so he resigned in 1973 to work on the show, which finally aired in 1979.

With its extraordinary wildlife images and compelling story tracing the path of evolution, Life on Earth reached an estimated global audience of 500 million. A scene where Attenborough encounters a female mountain gorilla in Rwanda, which reaches out and embraces him, remains one of the most celebrated moments in the history of television. “There is more meaning and mutual understanding in exchanging a glance with a gorilla than with any other animal I know,” he ad-libbed.

The wildlife documentary changed forever—and the NHU began its evolution from being just another department at the BBC to what the movie industry trade paper Variety dubs “Green Hollywood.”

For some years, environmental activists like George Monbiot, who started his career at the NHU, have criticized the BBC and Attenborough for being Green Hollywood in style rather than substance. Monbiot argued that showing the natural world without the context of human harm was ignoring the perils the planet faces. This began to change in the 21st century. State of the Planet in 2000, as well as 2006’s The Truth About Climate Change, 2007’s Saving Planet Earth, and 2009’s How Many People Can Live on Our Planet? all saw Attenborough and the team deal with the effects of global heating, overpopulation, and endangered species.

“I think that really gathered pace with Planet Earth II in 2016,” Gunton says. “We had stories about human effects on the environment and audiences were saying ‘we want more.’ The response gave us the confidence to turn the dial up with Blue Planet, and now the challenge is to keep the story fresh. There’s a gratifying fire in the belly of the young generation of filmmakers.”

Blue Planet II is best known for its explicit environmental message—in particular its depiction of the effects of marine plastic pollution. This influenced the UK government to extend a charge on using plastic carrier bags, which has been credited with a decrease in their use by 83 percent, and to set an ambitious target to eliminate avoidable plastic waste by 2041. A study by a team at Imperial College suggests that simply viewing Blue Planet II increases the likelihood that people will choose paper packaging over plastic.

Since then, explains Jo Shinner, one of the unit’s executive producers who oversees kids’ programming, “environmental issues are front and center of what we do.” She points to 2020’s Bears About the House, which included scenes from bear-bile farms in Laos. The episode prompted an unsolicited donation of $1.5 million to NGO Free the Bears—which would otherwise have closed during the Covid-19 pandemic. It used the money to rescue 38 bears.

“Hacking technology allows us to run alongside cheetahs or using drones to explore forest canopies,” Gunton says. “And it helps us stay true to the environmental message. You can do carbon offsetting, but filming in a helicopter for six hours is a lot of carbon. A battery-powered drone is a game changer.”

In 2020, Attenborough issued his most explicit warning of environmental catastrophe in A Life on Our Planet, his Netflix documentary and testament that opened in Chernobyl with his stark personal warning that “the natural world is fading. The evidence is all around. It’s happened in my lifetime. I’ve seen it with my own eyes. This film is my witness statement and my vision for the future, the story of how we came to make this our greatest mistake, and how, if we act now, we can yet put it right.”

In 2021, he was appointed People’s Advocate for the COP26 UN climate change summit in Glasgow, where he warned global leaders they faced “our last opportunity to make the necessary step-change” toward protecting the planet. “Perhaps the most significant lesson brought by these last 12 months has been that we are no longer separate nations, each best served by looking after its own needs and security,” he told the UN security council. “We are a single, truly global species, whose greatest threats are shared and whose security must ultimately come from acting together in the interests of us all.”

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Photograph: Benedict Redgrove

The Green Planet may not be the last show Attenborough presents, but it does mark a new era for the Natural History Unit. During filming, the unit opened its first office in Los Angeles. The show itself, coproduced with PBS, Bilibili, ZDF German Television, France Télévisions, and NHK, was sold to a dozen territories before filming was finished, including DR in Denmark, NRK in Norway, Movistar+ in Spain, ERR in Estonia, LRT in Lithuania, LTV in Latvia, RTVS in Slovenia, Friday in Russia, Channel Nine in Australia, TVNZ in New Zealand, and Radio-Canada. The ethos Attenborough established of working with research scientists, modifying technology, taking time to capture nature, and placing our world in context has grown from amateur naturalists discussing woodpeckers to a technical, creative, and scientific endeavor that’s making programs for the entire world.

Attenborough’s desire to bring people as close as possible to the natural world has taken him to many surprising places—the latest being the government-funded 5G trials announced in January. The Green Planet 5G AR Consortium, comprising the BBC, 5G mobile network operator EE, Royal Botanic Gardens Kew, and immersive-content studio Factory 42, is collaborating on an augmented reality app funded by the Department for Digital, Culture, Media & Sport. The app will lock into a mini 5G network in a retail space in central London, where a hologram of Attenborough will talk people through the plants featured in the show.

Gunton and the scientists at Kew Gardens suggested plants that would be suitable for adapting for digitized interaction, such as the light balsa tree seed, which takes flight on the breeze. Factory 42 and EE developed software that could be triggered when people blow into their phone’s mic to make a digital seed take flight on their handset.

“The idea is that you’re stepping into a natural history program, and you can interact with it,” explains John Cassy, Factory 42’s founder and CEO. “If people are doing things, it’s nine times more effective in engaging them than just reading or watching. Sir David got it immediately—he gets really excited by new things and progress. We filmed him for nearly seven hours in a holographic studio, he understood how and what the tech can do, he nailed every take and made suggestions which always turned out to be right.”

“Younger audiences—their phones are the main way to reach them,” Attenborough says. “I hope as a consequence that the needs and wonder and importance of the natural world are seen. We tend to think we are the be all and end all—but we’re not. We’re both the victims and benefactors, and the sooner we can realize that the natural world goes its way, not our way, the better.”

“If new technology enables us to bring that home to viewers, that’s important,” he continues. “Anything that transports people into an environment which is unfamiliar, but which is an important natural one, is very valuable, and I think people will find it exciting. I was in a television studio when the Apollo mission launched. I remember very well a blue sphere in the blackness, and in that one shot, there was the whole of humanity. I realized our home is not limitless. There is an edge to our existence. And I would feel very guilty if I saw what the problems are and decided to ignore them.”


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Report says fixing plastics' pollution in the oceans requires a new approach

Millions of tons of plastic waste end up in the ocean every year. Scientists are calling on the federal government to come up with a comprehensive policy to stop it.



NOEL KING, HOST:

The U.S. produces more plastic waste than any country in the world, and a new report from Congress says we have to rethink how we use plastic. Here’s NPR’s Lauren Sommer.

LAUREN SOMMER, BYLINE: Every year, almost 10 million tons of plastic goes into the ocean. That’s like having a full garbage truck unloading its waste into the water every minute for an entire year.

KARA LAVENDER LAW: We’re really good at buying things and using them and making trash.

SOMMER: Kara Lavender Law is an oceanographer at the Sea Education Association and is an author of a new report from the National Academies of Sciences, Engineering and Medicine about plastics in the ocean. She says plastic takes a huge toll on marine life, both because animals get trapped in it and because they eat it. Birds on Pacific Islands have been found with stomachs full of plastic bits.

LAW: We create these materials, and we need to be responsible for them through their end of life.

SOMMER: Law says their report calls on the U.S. to create a national plastic strategy by the end of next year. One part of the puzzle – recycling because most of us are doing aspirational recycling.

LAW: You know, you put something in the blue bin and you assume that it just magically turns into the next thing.

SOMMER: But in the U.S., only about 9% of plastic waste is recycled. The problem is that many items have several kinds of plastic in them, so they can’t be recycled or take a lot of work to separate, which makes it expensive. Winnie Lau, who works on plastics policy at the Pew Charitable Trusts, says there needs to be a bigger market for recycled plastic.

WINNIE LAU: Having governments and companies commit to using the recycled plastic will really go a long way.

SOMMER: Another key strategy – stop using plastic in the first place by switching to biodegradable materials. The American Chemistry Council, which represents plastics manufacturers, says that would lead to increased costs for consumers. Lau says recycling alone won’t solve the problem, and it’s getting more urgent.

LAU: Even a five-year delay would add about 100 million metric tons of plastic into the ocean over that five years.

SOMMER: But it’s not hopeless, she says. It will just take a national strategy where one has been lacking.

Lauren Sommer, NPR News.

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There's so much plastic floating on the ocean surface, it's spawning new marine communities

The North Pacific Subtropical Gyre, otherwise known as the “Great Pacific Garbage Patch,” is considered the world’s largest accumulation of ocean plastic. It’s so massive, in fact, that researchers found it has been colonized by species — hundreds of miles away from their natural home. 

The research, published in the journal Nature on Thursday, found that species usually confined to coastal areas — including crabs, mussels and barnacles — have latched onto, and unexpectedly survived on, massive patches of ocean plastic. 

screen-shot-2021-12-02-at-11-17-12-am.png
Neopelagic communities are composed of pelagic species, evolved to live on floating marine substrates and marine animals, and coastal species, once assumed incapable of surviving long periods of time on the high seas. 

Illustrated by © 2021 Alex Boersma


Coastal species such as these were once thought incapable of surviving on the high seas for long periods of time. Only oceanic neuston, organisms that float or swim just below the ocean surface, have historically been found near these patches, as they thrive in open ocean. 

But the mingling of the neuston and coastal species is “likely recent,” researchers said, and was caused largely because of the accumulation of “long-lived plastic rafts” that have been growing since the middle of the 20th century. 

Just by itself, the Great Pacific Garbage Patch, located between California and Hawai’i, is estimated to have at least 79,000 tons of plastic within a 1.6 million-square-kilometer area, according to research published in 2018. There are at least four other similar patches throughout the world’s oceans. And the accumulation of ocean plastic is only anticipated to get worse. 

Researchers expect that plastic waste is going to “exponentially increase,” and by 2050, there will be 25,000 million metric tons of plastic waste. 

This new community, researchers said, “presents a paradigm shift” in the understanding of marine biogeography. 

“The open ocean has long been considered a physical and biological barrier for dispersal of most coastal marine species, creating geographic boundaries and limiting distributions,” researchers said. “This situation no longer appears to be the case, as suitable habitat now exists in the open ocean and coastal organisms can both survive at sea for years and reproduce, leading to self-sustaining coastal communities on the high seas.”

For lead author Linsey Haram, the research shows that physical harm to larger marine species should not be the only concern when it comes to pollution and plastic waste. 

“The issues of plastic go beyond just ingestion and entanglement,” Haram said in a statement. “It’s creating opportunities for coastal species’ biogeography to greatly expand beyond what we previously thought was possible.” 

But that expansion could come at a cost. 

“Coastal species are directly competing with these oceanic rafters,” Haram said. “They’re competing for space. They’re competing for resources. And those interactions are very poorly understood.”

There is also a possibility that expansions of these plastic communities could cause problems with invasive species. A lot of plastic found in the Great Pacific Garbage Patch, for example, is debris from the 2011 Tohoku tsunami in Japan, which carried organisms from Japan to North America. Over time, researchers believe, these communities could act as reservoirs that will provide opportunities for coastal species to invade new ecosystems. 

There are still many questions researchers say need to be answered about these new plastic-living communities — like how common they are and if they can exist outside the Great Pacific Garbage Patch — but the discovery could change ocean ecosystems on a global scale, especially as climate change exacerbates the situation. 

“Greater frequency and amounts of plastics on land, coupled with climate change-induced increases in coastal storm frequency ejecting more plastics into the ocean, will provide both more rafting material and coastal species inoculations, increasing the prevalence of the neopelagic community,” researchers said. “As a result, rafting events that were rare in the past could alter ocean ecosystems and change invasion dynamics on a global scale, furthering the urgent need to address the diverse and growing effects of plastic pollution on land and sea.”

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